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	<title>Our Studio11 &#187; 中央美术学院</title>
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	<description>中央美术学院 第十一工作室</description>
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		<title>Aqua: A Review and Retrospective</title>
		<link>http://our.studio11.cn/315.html</link>
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		<pubDate>Sun, 26 Oct 2008 04:19:19 +0000</pubDate>
		<dc:creator>贺超</dc:creator>
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关于苹果电脑Gui的一篇文章，翻译太麻烦了，只写了一点就受不了了，英语单词基本都能看懂，并不是很难。转自mactheme 这是原文链接地址  http://macthemes2.net/2007/10/28/aqua-a-review-and-retrospective/



We at MacThemes love to shapeshift our computers with innovative designs and beautiful themes, but sometimes we just need to return to our interface roots. Mac OS X Leopard, released on the 26th to eager Mac users everywhere, looks to be the greatest version of Mac OS X released yet, with a brand [...]]]></description>
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<p><span style="normal;">关于苹果电脑Gui的一篇文章，翻译太麻烦了，只写了一点就受不了了，英语单词基本都能看懂，并不是很难。转自</span><strong><span style="medium;">mactheme</span></strong><span style="normal;"> 这是原文链接地址  <a href="http://macthemes2.net/2007/10/28/aqua-a-review-and-retrospective/" target="_blank">http://macthemes2.net/2007/10/28/aqua-a-review-and-retrospective/</a></span></p>
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<p><img class="alignleft" src="http://macthemes2.net/wp-content/uploads/2007/10/preview.png" alt="Aqua Preview" width="124" height="124" /></p>
<p>We at MacThemes love to shapeshift our computers with innovative designs and beautiful themes, but sometimes we just need to return to our interface roots. Mac OS X Leopard, released on the 26th to eager Mac users everywhere, looks to be the greatest version of Mac OS X released yet, with a brand new Aqua sitting on top of 300+ innovations. For a five year-old theme, Aqua has been given a significant facelift, and the myriad of revisions will leave the majority of Aqua aficionados very satisfied.</p>
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<p><strong>History of Aqua</strong></p>
<p>Aqua was introduced in January of 2000, at the Macworld San Francisco Conference. Based around the idea of water, it was one of the core selling points of the then-upcoming Mac OS X, and introduced usability innovations such as window sheets, Quartz font rendering, and the Dock.</p>
<p><img class="alignright" src="http://macthemes2.net/wp-content/uploads/2007/10/macos91.png" alt="Mac OS 9 thumb" width="226" height="168" />But of course, aesthetics played a huge role in this new interface as well. For those who remember the days of the classic Mac OS (specifically, Mac OS 8 and 9), the Platinum appearance ruled the Mac’s windows, buttons, and application styles; up until Aqua was introduced, the Mac UI looked like a sterile copy of Windows 95. Aqua’s pinstripe windows, marvelously photorealistic icons, and pulsating controls and widgets helped modernize an aging user interface, and wowed the audience with its transluency, special effects, and candy-like appearance.</p>
<p><img class="alignleft" src="http://macthemes2.net/wp-content/uploads/2007/10/cheetah_controls.png" alt="Cheetah Controls" width="175" height="177" />Aqua slowly evolved throughout each revision of OS X, starting with 10.0 and stopping (for now) at 10.5. “Cheetah”, 10.0’s internal codename, was an Aqua wildchild, with strong drop shadows under text, heavy blue saturation on controls, and glowing buttons, checkboxes, and scrollbars galore. It was bright, graphically-intense, and, for the time being, it was Aqua. 10.1 (”Puma”) came along and helped settle down the menu bar shadows, and 10.2 “Jaguar”, released just a year and a half after 10.0, finally subdued Aqua’s lickable push buttons, checkboxes, and other system controls, as well as dampening the distinct pinstripes. During this time, Apple also quietly introduced the brushed metal appearance, which would remain unchanged for the next five years.</p>
<p><img class="alignright" src="http://macthemes2.net/wp-content/uploads/2007/10/panther.png" alt="Panther" width="290" height="147" />The following year, version 10.3 “Panther” provided the groundwork for Tiger’s aesthetics, subduing the already-faint pinstripes, establishing the inset titlebar buttons, and cleaning up whatever resources were left unchanged from the initial release of OS X, such as segment tabs. Brushed metal began to see a more frequent use in applications (and often broke the Human Interface Guidelines), and by the time we arrived at Tiger, we had our familiar Aqua paired with four different window styles (Aqua, Unified Light, Unified Dark, and Brushed Metal).</p>
<p><strong>Aqua Now: Aesthetics</strong></p>
<p><img class="alignleft" src="http://macthemes2.net/wp-content/uploads/2007/10/leopard_finder.png" alt="Leopard Finder" width="280" height="144" />So here we are, at version 10.5. While Tiger left most of the core Aqua resources alone, it was a period Apple used to experiment with various application styles; finally Apple put to rest the notorious brushed metal, using the unified metal as the standard across all applications. If you’ve updated your iLife or iTunes in the past two years, you’ll know exactly what it looks like, and it generally makes apps feel cleaner and sleeker. Best yet, Aqua windows, now pinstripe-less, also adopt this metal color, meaning a consistent window style has come to Aqua for the first time since 10.1.</p>
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<p><img src="http://macthemes2.net/wp-content/uploads/2007/10/leopard_safari3.png" alt="Leopard Safari" /></p>
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<p><img class="alignleft" src="http://macthemes2.net/wp-content/uploads/2007/10/leopard_pushbutton1.png" alt="Leopard Push Buttons" width="192" height="112" />But we can’t forget the core Aqua resources. Across the entire interface you’ll find a new tint of Aqua making its way into controls, as well as improving the texture and stroke of many of the widgets. Push buttons and tabs seem more “fluid” and not nearly as glassy; Aqua inset tabs have been done away with altogether in favor of iTunes-style ones; though scroll bars retain their familiar appearance. These changes aren’t all for the better; for instance, the titlebar buttons are too saturated, and the progress bars, unchanged since 10.0, are heavy and dated, leaving plenty of room for improvement for Aqua tweakers and themers.</p>
<p>Arguably the most widely-discussed part of Leopard has been the updated glassy Dock, whose updated aesthetics have been written off as superfluous and has been criticized for its perspective problems. The design itself is fine &#8211; I don’t mind the auto-generated reflections, but I have a major problem with the top drop shadows. They’re just plain silly, and the two light sources idea doesn’t make any sense anyway (but the side dock is beautiful in contrast, making use of a bezel-like base and getting rid of the extra drop shadows and reflections.)</p>
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<p><img src="http://macthemes2.net/wp-content/uploads/2007/10/leopard_dock.png" alt="Leopard Dock" /></p>
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<p>Now for the controversial menu bar. Early screenshots of Leopard a few months back sparked long debates over the bar’s aesthetics and usability; however, it’s actually quite pleasing, incorporating a subtle gradient that helps hide the wallpaper behind it. It seems to work well on high-contrast backgrounds too, leaving the menu bar text quite readable (see below for screenshot).</p>
<p>And there you have it, folks: with a consistent window appearance and brand-new controls lying on top, Apple has very much delivered to make Aqua sweet again. Indeed, it may not succeed very unique Aqua themes- Vitae comes to mind- but for those who were waiting to see Aqua cleaned and spruced, Apple has delivered nicely.</p>
<p><strong>Usability</strong></p>
<p><img class="alignleft" src="http://macthemes2.net/wp-content/uploads/2007/10/leopard_prefs.png" alt="Leopard Finder Prefs" width="281" height="249" />Few words need to be said about Aqua’s usability, because Apple has always excelled at balancing beauty and function in wonderful strides. Has anything changed in that category? Not a bit. Little detail changes may affect aesthetics at worst &#8211; but have actually made Aqua more usable at best. The unified window appearance keeps windows interesting and provides a nice amount of contrast against Aqua’s plain-gray windows, and controls have become more subdued and subtle, which help ease Aqua’s brightness and usability over long periods of time.</p>
<p><strong>Extras</strong></p>
<p><img class="alignright" src="http://macthemes2.net/wp-content/uploads/2007/10/leopard_folder.png" alt="Leopard Folder" width="105" height="89" />For the first time in years, Apple has completely redone Aqua’s folder design, ditching the original perspective, pinstripes and symbols for a front-facing perspective and solid-color glyphs. While I was concerned about the readability of the symbols at small sizes, that’s not a problem at all, and though I would have rather seen full-color versions of the glyphs like Tiger, this won’t pose a problem for most users. However, I’m not a fan of the texture used on the design: it makes the folders seem cheap and dated, opposed to the comparably-futuristic, semi-transparent originals.</p>
<p>From an application perspective, Apple has updated everything to fit cozily with the new, tinted Aqua, and most applications that haven’t even been updated for Leopard won’t feel too dated. The standard OS X app icons have been given 512×512 versions and scale well, and though some are fairly basic (I’m not a fan of the Spaces icon), <a href="http://www.cabel.name/2007/10/panic-leopard.html">upcoming versions</a> of CandyBar and Pixadex should be able to solve that problem nicely.</p>
<p>Desktops and screensavers-wise? We’re all familiar with the space time travel desktop, but I still prefer the original Aqua patterns; and new screensavers like Arabesque, Falling Photos, and Security are decent additions to a fun lineup.</p>
<p><img class="alignleft" src="http://macthemes2.net/wp-content/uploads/2007/10/leopard_systemprefs.png" alt="System Preferences Icons" width="180" height="146" />But what amazes me the most about these extras is to see just how many changes have gone into the <em>tiniest</em> details: for example, take the System Preferences icons. Certainly something to represent Spaces was needed for 10.5, but even old standbys like Keyboard &amp; Mouse, Displays, and Dock- and some not updated since, dare I say, Jaguar- feel fresh and up-to-date now. It’s little details like this themers might pick out in an instant, and will make any user feel like they’re using something truly modern aesthetically- even if they can’t see it at first.</p>
<p><strong>Conclusion</strong></p>
<p>Aqua has been an integral component of our Macs ever since its introduction in 2000. Through many years of development and refinement, Aqua has become even more pleasant and usable with each passing year, and Apple has done a good job of making minor changes to keep the design from stagnating.</p>
<p>This latest revision is nothing but minor: it’s a facelift, and a solid one at that. Not only does it sport brand-new controls and a consistent window style, but Apple managed to retain its world-class usability and throw in some fun new extras at the same time. Sure, it’s not going to leave the crowds of Aqua themers out of a job (Aqua refinement themes such as Vitae will live on), but until we see our favorite themes leap into 10.5, you’ll be just fine with Apple’s latest treatment.</p>
<p><img src="http://macthemes2.net/wp-content/uploads/2007/10/scoring_template1.png" alt="Aqua Scoring Template" /></p>
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		<title>关于第十一工作室</title>
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		<pubDate>Mon, 06 Oct 2008 09:08:29 +0000</pubDate>
		<dc:creator>Our</dc:creator>
				<category><![CDATA[studio11]]></category>
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		<category><![CDATA[中央美术学院]]></category>
		<category><![CDATA[十一]]></category>
		<category><![CDATA[十一工作室]]></category>
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		<category><![CDATA[美国耶鲁大学]]></category>

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		<description><![CDATA[中央美术学院设计学院十一工作室是由王敏教授主持的平面设计方向教学单位，工作室学生由平面设计研究方向博...]]></description>
			<content:encoded><![CDATA[<p>中央美术学院设计学院十一工作室是由王敏教授主持的平面设计方向教学单位，工作室学生由平面设计研究方向博士生、研究生以及本科生三个层面的学生组 成。教 学理念强调理论与实践的结合，以研究性、系统性、实验性、社会性的教学方式引导学生不断思考与创造。通过不同层次的课程、研究计划与设计项目设置，利用由 国内外知名设计教育家、设计师构成的教学资源来构成基本教学体系。经过几年的教学实践，11工作室逐渐形成了一个研究与实践并重学术氛围，既注重基础知识 的构建，也提倡对于设计的反思与创造的学习环境。</p>
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<p>对于学生的培养，11工作室强调在一个具有前瞻性、开创性的设计教育环境中，训练学生独 立思考的能力、创造性工作的能力，良好的社会实践能力和团队合作能力；最终成为一个具有强烈社会责任心的设计专业人员。</p>
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<p><strong>工作室的教学研究以探索平面设计语言与形式创造为基本方向，在这个领域中又以下面三方向为重点：</strong></p>
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<p><strong> 1. </strong>中西文的文字设计方向；主要探讨中西文字字体应用的可能方向以及文字设计作为部分对于视觉传达设计整体的影响；</p>
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<p><strong> 2. </strong>信息设计方向方向；研究信息整合设计在社会与公众中的各个层面的应用。注重思考现代社会对于信息的要求与形态，强调文化、科技、艺术与设计的融合，引导学生从交叉学科的研究中培养综合设计的能力；</p>
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<p><strong> 3.</strong>社会设计方向课题；关注社会问题、关注生活，关注他人，鼓励学生观察与思考设计与社会的各个层面的关系，用设计解决实际问题，用自身所学服务于社会；</p>
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<p>除了以上几个主要的专业方向，工作室也注重学生的全面发展，所以也通过设立系列的演讲与研讨会来作为补充，例如开始于2006年的11工作室系列讲 座，至 今已经进行了16次，演讲人以国内外专家学者为主，范围包含平面设计，同时也涉及到书法、管理、广告、建筑、音乐等门类。针对以上几个研究方向，工作室在 课题方面既有比较固定的常规安排，如开始于2005年的字之城－中国城市文字字体研究项目。也有时间上相对灵活的社会项目设计，例如利用2007年暑假完 成的国家大剧院导视信息系统设计、CCTV新大楼导视系统设计以及丛2006年开始与方正字库、华文字库合作开发的教科书体、黑体、美术馆体等字体研发项 目。 这些大型的、时间跨度较长的项目与短期的课程相结合构成工作室的基本教学系统。</p>
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<p><img class="alignleft size-full wp-image-5" title="导师王敏" src="http://our.studio11.cn/wp-content/uploads/2008/09/minwang.jpg" alt="" /><strong><span style="font-size: medium;">王敏</span></strong></p>
<p><strong>中央美术学院设计学院院长, 教授, 博导北京奥组委形象与景观总监</strong></p>
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<p><strong>1982~1983</strong> 任教于中国美术学院</p>
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<p><strong>1984~1986</strong> 留学于德国慕尼黑造型艺术学院与柏林艺术大学</p>
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<p><strong>1988</strong> 年毕业于美国耶鲁大学艺术研究生院</p>
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<p><strong>1989~1997</strong> 任教于美国耶鲁大学艺术研究生院</p>
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<p><strong>1991~1998</strong> 就职于世界最大图象处理公司奥多比 (Adobe)任设计总管</p>
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<p><strong>1998</strong> 年起加入两方设计公司 (Square Two Design) 任设计总管</p>
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<p><strong>2003</strong> 年起任中央美术学院设计学院院长, 教授, 博导，北京奥组委形象与景观总监</p>
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<p>作品多次参加国际重大展览并获奖。多次被邀请作为设计比赛评判。在中国，中国香港，美国，日本，加拿大，马来西亚多地举办过学术讲座。国际平面设计师协会 (AGI)、纽约艺术指导者俱乐部(ADC)、美国平面设计师协会(AIGA)、 纽约字体指导者俱乐部TDC会员。</p>
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